About Us

Mana is an online gallery.

It is an evolving body of work — contemporary objects that move between jewelry, domestic ware, textiles, and tools for everyday life.

The work is informed by the perspective of a Filipino in the diaspora, where culture is often encountered through memory, gesture, and use rather than proximity. Objects are approached not as symbols or souvenirs, but as things that participate in living—worn on the body, placed on the table, carried across spaces, and kept over time.

The practice is organized around three recurring ideas: ala-ala (remembering), dala-dala (carrying), and salo-salo (coming together). These ideas function as lenses rather than categories, shaping how objects are conceived, made, and used. A single collection may move through one or all three, reflecting how memory, movement, and gathering often overlap in lived experience.

Binakol textile folded and ironed, photographed with a seamstress' scissors.

At the center of the work is a commitment to making future heirlooms—objects designed to endure physically and culturally. Materials are chosen for longevity, forms are developed to age with use, and collections are conceived with the expectation of being lived with rather than consumed. Value is not tied to novelty, but to accumulation: of wear, of memory, of care.

Close up photograph of hand-knotted rice pearl necklace with coral, jade and citrine as abstracted forms of ingredients for Khao Pad, a thai fried rice.
close-up photograph of the binakol geometric weave hawak, a handkerchief finished with a bead on one end and a loop on another to suggest a secondary use as a textile wrap.
An unfinished group of brass strips woven as a surface.

Mana unfolds through monthly online shows from February through October, pausing from November to January for rest. Each show gathers a body of work around a shared inquiry. They are not seasonal collections, but chapters in an ongoing archive.

Together, the objects form a growing archive of gestures that reflect how home is remembered, carried, and remade across generations.

The work does not attempt to define culture, but to leave room for it to be practiced.

These are objects meant to be used, shared, repaired and passed on.